Making Noise #3

So I haven’t done a blog in awhile, but I thought I’d get back on the horse and do a new one.   Today we’re going to talk about processing audio through pedals. It’s something i’ve increasingly been taking advantage of, in both mixing and while i’m recording.

So first, just some basic info about me. I love and have always loved tactile instruments and effects. It just makes so much sense to me. I love being able to interact with the gear in real time, and hear the changes i’m making with my hands. I’ve yet to really find a software solution that eliminates that, and to be honest, I don’t really care if I do find one. This works for me and it’s only been getting more exploratory as the years have gone on.

I’ve been tracking through pedals for a bit now, mainly while recording synths. This was usually a delay or a reverb, and also mostly in stereo. About a 1 1/2 years ago, I got one of these little boxes pictured below.


This is a Radial EXTC 500 Series Reamp Box.  It allows you to send audio out of your DAW, converts the signal to Line level to High-Z, and gives the proper levels to run it through guitar pedals.  You then loop back into EXTC and it converts it back Balanced Line Level so it can go back into your DAW in the proper way.  It can also be used as a Re-amp box which is super handy.  So I use this for many applications.  They are as follows:

  1. Processing audio from my DAW

  2. Using it as an extra “pre” to record Synths or various other things

  3. Reamping Guitars, Pianos, Drums, etc…

It basically allows me to use my pedal collection make unique, custom delays, reverbs and sounds that would take me forever to do in the box. 


Here I’m running my OP-1 into a few different pedals, and then sending the output into the EXTC and then into Logic. I don’t have to use the EXTC for this, I could just use a DI, but it’s already patched in. I can also process the audio out of Logic into the effects and back in just as easy as I have it set up as a hardware insert in both Logic and Protools. Works like a charm and well worth the experimentation! In the track below, you can hear some of the processing i’ve done with it. Basically everything in the song is going through pedals at some point.

Until next time…

Making Noise #1: Personal Voice Recorders

I thought I would start a new blog post series where I briefly talk about a technique that I've found interesting lately or a piece of equipment, new or old, that has been inspiring to me recently.

For the first one, I thought I would talk about the handheld voice recorder that I bought a few months back.  There are hundreds of used ones on eBay, using micro-cassettes or normal sized one similar to the one below.



 They usually have pretty cheap microphones in them that compress and distort whatever your recording, not to mention the warble and artifacts that come with the tape, which makes it a great tool for getting lo-fi sounds.  I've been using it for field recordings, recording people talking and outside noise, etc...  The other technique that I love it for is recording a pad, a drum beat, or even a whole track into the recorder, and then setting up a microphone and recording the playback of that back into Pro Tools.  This allows me to mix whatever level of the new sound I want back into my track, kinda like a parallel tape saturation/bit crushed/general lo-fi track.  They are super cheap on eBay, and well worth exploring for a number of purposes.  Anything from what I mentioned to recording the same thing twice and getting a really dirty tape echo, or using it like how Kieth Richards did on Street Fighting Man by The Stones.  Record a whole guitar track into the recorder and it becomes like a dirt pedal.  So many great techniques.  Try it out!

Here’ a track that I used it on:

And here's the Stone's song I mentioned:


My good friend Mark Bone just put out a documentary called “Rescate”. I’ve had the pleasure of writing a piece of music for it called "We Are Fragile", which is the first track off my latest EP.  I love Mark’s heart for the Dominican, and specifically trying to bring awareness and funding to help volunteer paramedics take care of their city. You can find out more about the film and how you can help at


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Beatitudes EP




The dictionary defines “Beatitudes” as this: supreme blessedness; exalted happiness.  To me it means selflessness and the idea of service or rescue. 


This record was written originally for a documentary focusing on volunteer emergency response workers in the Dominican Republic. The majority of the pieces did not get used, so I decided to put them together and make this project. Writing the music while watching the selflessness of the protagonists in the documentary affected me and got me thinking on this concept of Beatitudes. Being of service to everyone around us without the expectation of anything in return. Simply just thinking of myself less, whether that be with regards to family, friends, the marginalized, homeless, refugees, etc.


I believe it is our highest calling on this earth to lay down our life for the service of another.  Most of us, if we are being honest, are terrible at it. We have too many selfish desires. We too often think only of ourselves. We would rather the convenience of non-action, to the inconvenience of helping someone in need.


That is where this project lives: in the tension between the desire to help but the unwillingness to sacrifice. Sometimes I do not like my response to need. Sometimes I do nothing, and just sit and wait for others. Sometimes I do exactly as I should, and go out of my way to help. I believe that for this world to restore itself, we all need to die to ourselves a bit more and learn to live out Beatitudes. Light in the darkness is unmistakable. You cannot miss it; it permeates everything.



“Nothing worth having comes without some kind of fight

Got to kick at the darkness 'til it bleeds daylight.”

- Bruce Cockburn


“Ring the bells that still can ring

Forget you perfect offering

There is a crack in everything

That’s how the light gets in.”

- Leonard Cohen